makes
pretty
things

Of Hope and Flying Cars…

Who would have thought that when the 2008 Presidential Elections rolled around, we’d have such a clear choice: the past or the future.

McCain/Obama

Really, there’s no other way to think about it.

On one hand, you have the youngest candidate to ever run for the office of President of the United States. Barack Obama. Plus he’s the first black candidate nominated by a major American party. Plus he’s a liberal. Plus he’s only been as a senator for a few short years. Plus he’s one of the most amazingly powerful orators this country has ever seen. He’s exciting. He’s fresh. And every single one of his policies is a complete and distinct break from the present administration. You have a candidate whose decision to forego PAC and lobbyist money has in one day already changed the way the Democratic National Committee operates.

On the other hand you’ve got good ol’ John McCain. A man I supported back in 2000 when the Republican primaries were happening, when we were all looking for the person to take control after Bill Clinton. If elected he would be the oldest first-term President in US history. His viewpoints continue to push the status quo on Iraq, on taxes, on the treatment of Americans in comparison to corporations. He’s sided with Bush’s policies 95% of the time during the last year and his speeches are rarely rousing and typically full of gaffes.

Obama draws 30,000+ people to his speeches. McCain is lucky to get 300.

OH Wait! Gimme More!




Sons of Festivals

I’ve given myself one year, more or less, to put my senior thesis film, Sons of Gods into various film festivals around the nation. But up until this point, I haven’t been
very pro-active about the whole thing.

Sons of Gods: Prologue

Diag 1: Sons of Gods: Prologue

Sons of Gods is a weird film. Maybe it’s great. Maybe it’s not. That’s in the eye of the viewer, and frankly, I’ve heard it both ways. Personally, like most film makers, I only see the flaws and the things that should have been changed. That said, I stand by 100% the camera movements and editing choices we made, and love how my Director of Photography, Chris Todd, and I were able to get angle after angle, allowing me to make something that at least looks extremely cinematic.

Plus, the visual effects are pretty damn stunning. Tons of sky has been replaced with bluer hues, since most of the atmosphere was blown out while on set. 3 guys walking over a little plot of land 10 times suddenly becomes an army of 100 with space ships in the background, and a $9 pair of plastic National Geographic binoculars seem to work like something out of Star Wars.

OH Wait! Gimme More!